I always thought being visual and a writer was a massive contradiction. I don’t mean having an imagination. Obviously a writer needs an imagination. I mean, in the way we process information.
See, when I think, or try to work out a problem, like how to prevent the terror tot shoving his finger up his nose in public, I think in pictures and voices. Yes, I hear a voice in my head, but not the kind of voice that whispers violent temptations, although sometimes it might be nice to blame my rage on it… Where was I? Some people think in words or numbers or actions. If you have synesthesia you might even think in colours, senses or feelings.
That was until I wanted to check the pacing and tension of my novel.
Once you’re knee-deep wading through the slush of your story, you know as well as I do, you can’t see the commas for the sentences. Let alone step back enough to see the shape of your newly trimmed
So I set about some research and have figured out my own method, using a Sacha sandwich of pilfered ideas, to help visual writers figure out their uppers from their downers. Continue reading