Looking at historical buildings and constructions is something that even non historical writers should be doing. History is rife with anomalies and inconsistencies, which even with a hint of imagination can send you off in bizarre directions.

The Kailasa temple is shrouded in mystery.

Usually buildings are constructed from the ground up. The first brick is laid on top of foundations and then you continue placing them on top of each other until you reach the highest floor where you stop and attach a roof. This is how we build, in every country, in every continent across the world.

But the Kailasa wasn’t built like that.

The Kailasa was built top down. Yeah. Seriously. They carved from the top of a mountain down towards the Earth. I can barely get my head around that, I can’t comprehend the foresight needed to understand structurally how to build top to bottom. This means over 400,000 tonnes of rock had to be scooped out to leave the carvings. This would have taken years and years and years to do without advanced technology.

Yet the building was constructed in just 18 years.

In the video below, the man speaking does the simple math, and breaks it down to how much rock would need to be removed. Based on people working every day for 12 hours a day without breaks. That equates to: 22,000 tonnes a year, 60 tonnes a day, 5 tonnes an hour… umm……

Don’t get me wrong, I’m no architect, I am just presenting the information I have found, so if you are an architectural genius, feel free to disagree, these aren’t my arguments.

The video also brings up other interesting facts – a king tried to destroy the temple, 1000 of his people tried to destroy the temple, they worked for 3 years and barely scratched the sculptures. Interestingly architects seem to think 3 types of chisel were used to create it. If chisels were used to create it, then why couldn’t the same chisels be used to destroy it…? Just asking.

Even more interesting is the point that, to create a structure like this, is more difficult and would require a higher sophistication of structural engineering than building from the bottom up. Yeah, to create a building like this, requires more brain power, techniques and engineering feats than how we build today. So why, if we built like this before, do we not build like this today?

That, is an interesting question. It’s almost like we lost the technology. Vanished into thin air. *shrug*

Watch this video – it’s 9 minutes 20 so won’t take up much of your time.

Where do you get your inspiration? Let me know in the comments.

I bang on about these weekly wonders as a huge source of inspiration. For me, I have to look for the weird in the world, anything out of the ordinary immediately sparks of a flurry of ideas.

I wanted to think about the ‘why’ behind these posts.

I write them because I used to get stuck just looking at things I know about and already understand.

Don’t get me wrong, I still find beauty in the curves of the waves on an angry ocean or the plush greens of forests. But they help me describe things in my stories and help me get depth to my imagery and visuals.

What they don’t do, is spark ideas, or twists. By that I mean, thinking about this building makes my mind race all over the place. I wondered about a race of beings that only eat buildings. Snaffling the roof first and then gobbling the building whole – a bit like scooby doo and his sarnies. Wait what? How did I get from an ancient temple, to scooby doo… do you see my point?

Or what about another race of beings that flies over the planet using a beam to drop buildings in place, carving buildings out of thin air, to help save species, the ultimate green utopia – a building made of everything and nothing. What if they had an ulterior motive…I’m not saying these two ideas are amazing and perfect for a story, but I am saying they aren’t what I’d normally think of.

Whilst I love forests and oceans for the quality of metaphors they help me get, they don’t (for me) give me that something extra, the twists the uniqueness to stories.

When was the last time you investigated something different? Did it give you ideas? Where do you get that little bit extra from that makes your story special?

Get even more exclusive content straight to your mailbox, by signing up for my brand spanking, glittery* newsletter right here. (*electronic glitter only)

The post Kailasa – The Temple That Shouldn't Be – Weekly Wonder #9 appeared first on Sacha Black.

Life’s a funny old thing, so often we go through difficult times and have to make hard choices. Sometimes we lose friends, loved ones, gain new ones, have children. We travel and feel moved to change our entire lives. We give up careers and start again. I’ve seen my fair share of cross roads probably the most significant was being told if I waited to have kids, it might be too late.

My choice?

Turn left – be young free and have money, travel.

or

Turn right – fork out thousands for fertility treatment and suffer losses and emotional torment.

I turned right. It was the right decision, but when you’re faced with a cross roads the decision isn’t always obvious.

This week, the writespiration is all about Cross Roads. Maybe your character is physically at a cross road, maybe they have a choice to make. If you fancy joining in, jot a few words or a short story and I will publish it with next weeks post.

Here’s mine:

He was trembling.

“You’re pathetic,” I growled.

His incessant twitching was irritating. The tap, tap, tap, of the tightly wound knot rattled against the chair I’d tied him to. It was giving me a headache.

I put the cold barrel of the magnum against my temple hoping the cool metal would ease the ache and pulled another dining room chair out. I sat down in front of him. 

“You got a choice, Marty.”

Sweat dripped off his face and crawled across his shirt. I pointed the gun at his chest, rubbing the barrel into the sweat.

“Get a grip of your self…” I dug the gun into his chest a few times. Each time, he wince harder. 

“Baby… honey… You don’t have t..”

I slid my finger over the hammer and pulled it down till it clicked. 

“Did I say you could talk?”

He pulled his lips tight and shook his head.

“You had twenty years of marriage to talk, Marty. Now it’s my turn.”

“I’m sorry baby, I didn’t… She didn’t… I won’t do it again, I swear.”

I raised my hand and fired the gun at the wall. The crack thundered across the dining room. The bullet ripped into the glass cabinet. Glass splintered and showered the dining room table I had laid night after night for twenty years. My favourite china set plummeted to the wooden floor  shattering and camouflaged itself in amongst the glass.

“Look what you made me do, Marty,” I said waving the gun at the remains of my dinner set, “that was my best fucking china.”

I stood up. My chest felt tight. Blood rang in my ears. I scanned the dining room with its matching curtains and furniture.

“You took the best years of my life, for what?” I peered at the collection of photo frames filled with nephews and nieces instead of my own children.

“A bunch of whores and prostitutes?”

I shook my head and swallowed the lump in my throat.

“I was going to give you a choice. But you know what I realised, Marty?”

His lips flopped open.

“Don’t fucking answer that… I’ll tell you what I realised. You don’t deserve a choice. This is my cross roads.”

I leant into his face, my nose millimetres from his.

“You stink like shit, Marty,” I said wrinkling my nose and trying not to breathe in his sweat.

“I want a divorce… and this…” I said pushing the muzzle of the gun deep into his crotch. He flinched, lip quivering. A wet patch spread across his trousers. I pushed my finger onto his lip, “shh,” the corners of my mouth curled into a toothy grin and I cocked the hammer.

“This is for the for the two decades of tears I shed each and every time you fucked another woman. This is so no one else will ever have to cry for you again.”

I fired.

***

So to last week. I loved last weeks writespiration, so I will endeavour to post it again albeit it with a different word, I think it produced some fascinating entries with wonderful insights into all your minds!

First in with a response to last weeks Writespiration was:

Rachel with this fab entry

There was an eerie silence lingering in the air. Everyone eyeballed each other wondering who was going to be the next to stand up and say something. They were all thinking. No one wanted to be the bearer of bad news and played “nose-goes” inside their heads willing someone else to say something.

***

Next Helen with a super eerie entry

Silence. It was all around him. Weighing heavy on his ears, on his time. Time that he scratched out, one by one on the damp bricks, the only indication that it passed the slivers of light through the barred window high above. No one came to see him. No one cared, it seemed, that he still lived.

***

The wonderful Michelle joins us this week and gave an emotional entry

Silence. A beautiful voice, his laughter are forever gone. Lost in silence are the sweet words. “hey, Mum, love you.” The silence is unfathomable. The silence tears at the heart.

***

Geoff gives his best TanGental entry this week :p

Silence is a long way from home, which is a hollow noduled bucket in Minneapolis and rather twee in a woebegone sort of way. Carriage bags have a habit of breaking silcne wit a rustle and a grimace. Shoping with silence is a chore and

***

Hugh follows Geoff with some equally tangential thinking – I just love where these are taking

If silence is golden then why am I not rich and living in outer space where it is silent. I love being silent like in the silent films which I don’t understand because they have no talking in them and are often in black and white and all fuzzy to watch. I wonder if they served popcorn in those days?

***

Jane gives this beautiful entry

Silence. The word sounds so loud when I think about it. Like when you put your head underwater. The sound of water. And the night air when everything else is quiet. Except the silence.

***

Sarah‘s written a cracking entry

Silence. Beeping, hacking, coughing, talking, yelling, beeping. Fleeting moments. Time is gone. Walls close in. Hoping. Waiting. For silence.

***

Foy joined in this week with a wonderful dialogue entry

“Would you shut up already?! I told you we’re not going to the zoo to harass the lions today.
That’s next week.”

***

The post Writespiration #44 appeared first on Sacha Black.

Now, to the winner of the worst possible sentence from last weeks writespiration, and boy did we have some cracking entries. And by cracking, I mean awful!

The winner of the most terrible opening line is………

Jane congratulations Jane, you wrote the most terrible opener, giving everything away and breaking all sorts of rules in the process! Fabulous entry:

‘It was terrible knowing that they were all going to die in a house fire, except for Jill who runs off to South America with the postman who apears in chapter sixteen, that Simon would fail his Oxford first year exams and end up working as a petrol pump attendant until he throws himself off a bridge in chapter twenty one, and that her operation would be a disaster and leave her housebound so when she drops her lighted cigarette onto the sheet she can’t even raise the alarm, but you have to live through the next four hundred pages, don’t you?’

Runner up goes to Keith for the most depressing adverb rich opener I’ve ever seen! Fantastic effort Keith

John wasn’t sure where he was going; walking solemnly and forlornly through the pea-souper fog, straining his weary eyes to make out the slightest detail murkily presenting itself to his age-worn visage; the laughter lines for which he was, until recently, famed giving way to worry-lines as he plodded relentlessly through the misty, dewy, heavy, moisture-laden air under a leaden sky that was constantly threatening to unload its heavy cargo, its payload, its bounty onto an unsuspecting world below, a world where hope had given way to despair, where happiness had been supplanted by depression, where gaiety had fallen prey to solemnity, a world whose very atmosphere, the elemental structure that is designed, intended, purposed to support and nurture life, is slowly, but surely, inexorably and remorselessly threatening to stifle it, to extinguish it, to render it extinct.

***

Helen Jones new to writespiration, gave a stonking effort with this terrible opener. If my wife had been choosing the winner, Helen would have won – it made Mrs. Black laugh out loud.

‘He had always liked penguins, and those shoes with the velcro fastening.’

***

Geoff was far too good but he does get an honourable mention for the two most disgustingly vile sentences:

‘And it’s confirmed: Nigel Farage will be the next Prime Minister.’

‘The only interesting about Tarquin was his toe-clipping collection which he had spent years cataloging: this is his story (with illustrations).’

***

 To this weeks Writespiration, remember, don’t look at the word till you are ready. Set your timer for 60 seconds don’t edit just write fast. Scroll down to see the word:

SILENCE

Here’s mine:

Why is silence so deafening? It ached in my ears, the pounding silence swallowed up any thoughts I had. It hurt. Hurt like the loss of my parents. No more voices to call me in at the end of the day. No mother to shout upstairs “dinners ready.” Just endless silence.

The post Writespiration #43 appeared first on Sacha Black.

How do you read? What happens to you?

Drifting off into another world when reading might be wonderful for the joy of the story. But it presents significant problem for me if I want to learn anything from the author.

When you read, are you reading as a reader or a writer? I always read as a reader. Allowing myself to be completely absorbed, to feel what the characters feel, smile at their wins and cry over their losses. But how do you stay consciousness enough to pick out the points you can learn from and still read like a reader?

There are the obvious things all readers like:

• Gritty multi-layered characters with hopes, dreams and faults.
• Characters being tested to their limits
• Pace – enough to keep you interested
• Story arc and a climax
• A statisfying ending
• Some kind of antagonist or bad guy
• An absorbing world

There are more, but you get my point. I don’t want to write a blog post telling anyone to suck eggs, or whatever the phrase it. These points are standard. It’s the more subtle things that I want to learn from. The nuances, the individual word choices in a sentence that give vivid imagery. Or the sentences that make me catch my breath and read faster, faster, faster because I just HAVE to know what happens. Or the actions a character takes that make me fall in love with them a little more.

There’s no magic to my method. I try to read a fraction slower than normal – hard if it’s a pacey book. I keep a pencil, highlighter or trusty index finger to hand depending on how I am reading. If on my kindle, then I use the highlighting function to highlight any I pick up. To ensure I keep buried in the book, I use my emotions as a flag system. If I smile, I check myself – why did I smile, a quick scramble back through the previous paragraph and hey presto, I just learnt a new trick. If I find myself scanning faster and faster, feeling desperate to just know, then I do the same. If I cry, if I feel anything, I stop and try and identify why.

Some of these might seem odd given you wont have any of the few hundred pages of context I had. But I thought it would be helpful to share some of the things I highlighted from the last book I read (End of Days):

1. ‘…can see the frustration stiffening the lines of his shoulders.’

Why did I highlight it? I guess because it painted wonderful images, in one sentence I knew exactly how he felt, and what it did to his body, I saw and felt the emotion.

2. ‘I put my hand over my mouth to keep from calling him.’

That’s the protagonist speaking, and a display of physical action showing her innocent love for the male lead. I thought it was so sweet an innocent and a beautifully honest depiction of what a teen might do to stop herself from calling out to the boy and admitting something she didn’t want to.

3. ‘The October wind tugs at my hair. Dry leaves float by, lost and abandoned.’

As I admitted in my post describing my writing process I’m still developing my ability to do description. This is a great example of weaving atmospheric description into the story – plus it gives away a piece of description about the protagonist too – which can be difficult when writing in the first person.

Some questions from me to you, I would love to know the answers to:

1. What do you naturally pick up on when you read your favourite stories?
2. Why are they your favourite, as a writer why do you appreciate them?
3. Do you collect and highlight pieces of text? If not, do you do something else to gather your favourite excerpts or ‘lessons’?

The post Read Like A Writer – Collect Words. Collect Sentences. appeared first on Sacha Black.

We constantly worry about how to write better. But actually, there’s a benefit to being able to recognise when you have written badly. And sometimes it’s fun to just reel off a load of codswallop.

This week, your challenge is to write the WORST opening line you can. Give it your best, and produce your worst!

Because this is an actual competition, The Bulwer-Lytton Fiction Contest and I am secretly amused by all the nonsense that is to come, I am going to pick a winner… The winner will be announced in next weeks writespiration, the deadline is Sunday 31st May.

If you fancy it, why not submit to the real competition? – their deadlines the June 30th.

here’s mine, and it’s definitely bad!:

It stunk like rotten putrid gone off eggs but dear old mumsy with her tatty dirty apron thought the round pancakes were a success – I really really didn’t want to eat them – But decided not to offend her and held my bulbous nose and puckered up my reluctant lips, bottoms up, I thought.

***

Now to last weeks writespiration. First the lovely Jane who wrote a stunning poem that was originally published in the Ogham Stone Literary Journal. You can find the post on her website here.

Often at the turning of the year,

When the grass is bright and damp with autumn rain,

And last buds open with the failing sun,

I listen to the windsong in the trees.

When white-winged gulls blow in from stormy seas,

And the tang of salt hangs heavy in the air,

I hear the waves break on a lonely strand,

And taste the smoke and ash in long-dead hearths.

When only starlight guides the homing geese,

Their booming voices singing sailors’ songs,

I hear the echo from the vaulted sky,

And feel the northlands in their beating wings.

But when the blackbird sings his end of summer song,

And the white gull skims the restless ocean foam,

The whispering comes from deep in blood and bone,

The wind, the stars, the heart’s pulse call me home.

***

Ali submitted an emotional entry. It really makes you feel her longing for a sense of belonging:

Their eyes hook into my back like claws as I pass by. They keep their thoughts locked and silent in their heads, but their faces smoulder with resentment, distrust. They bite back the words but their message burns into my skin just the same, “You don’t belong here.”

And they’re right. I don’t. But I won’t go back, I can never go back, though my heart yearns for home. Those like me, well, we’re not welcome anywhere.

For me, home is not bricks and mortar. It’s not tied up in four walls, anchored in place by geography, or a slot in the vastness of time. The home I long for is family, acceptance, love. Home is not where I came from, but perhaps where I’m travelling to.

***

Geoff entered this last minute flash, and what a piece it is, he created such a disturbed character crazed by his loss in so few words.

Home Cruel Home

It’s the feeling of the bricks, sort of not quite slimy to the touch. That’s what I remember. Derby smooth stone, someone told me and they’re right. It does have that same slippery texture. But it isn’t the same, feeling an abstract. There isn’t the connection to the place and time. When I leant my face against its soothing surface after the burning; the hardness when I pressed my hands against the bricks, trying to push through the wall as Jimmy held me back; the way my tears made the slippery surface glisten. I wanted to stick to that wall, melt into it, be part of it. I’m still not sure whose screams I remember from that day but I’m sure some of mine were trapped in those bricks. Jimmy told me they demolished the cottage – ‘unsafe’ he said. I think it’s because of the ghosts. There had to be, after that fire, after those deaths. For a long time I wanted one of those bricks; it was all I asked for, for Christmas, birthdays, certain it held some part, some essence. Jimmy says it was me asking for bricks that made dad lose patience, had me committed here. I’ve plenty of time to lean again the bricks in this place, plenty of time to remember, to hear the screams. When I get out, I’ll go back, get a brick and hold it to my cheek. Then I’ll be home again.

***

The post Writespiration #42 appeared first on Sacha Black.

A day late this week because of #1000speak, but nevertheless here we go:

This is less about the house in the photo and more about the word and meaning… If you fancy it write a few words, a poem or a story and I will post it along with my next Writespiration. I wrote one this week, but liked it so much I decided to submit it to a competition, so apologies, mine is missing – I will try and write another and post it with all this weeks entrants.

Now to last weeks absolute stonkingly brilliant entries, and four newbies.

Last week’s Writespiration was to write a story in Six Words, there was a phenomenal response.

First in was Ali with three brilliant entries:

1. Birds sing. Darkness into light. Dawn.
2. Last breath. Darkness into light. Reborn.
3. Study hard. Darkness into light. Illumination.

Ali also submitted a wonderful story for the week before – an insect story with the most vivid imagery and touching ending:

I am Etain. Once I was Sidhe, and a Queen, adored and admired. Now, I spread my wings, and they are beautiful, vibrant, shimmering. The wind catches them, takes me up into its arms, and I am airborne. Invisible lips blow me here, there, and I delight in my freedom, my weightlessness.

When I tire, I alight on a blossom. The petals are no match for me; they pale in my shadow, for I am a purple jewel carved from living flesh by an alien hand. The sun warms my body; I glitter in its light. I flutter my wings, and radiate bright ripples of colour and fierce joy.

But I am distracted. The flower hides a secret. Its scent draws me in, more powerful, more intoxicating than I ever experienced in my past incarnation. My wings fold as I feed on nectar sweeter than honey, more precious than the Gods’ ambrosia.

Giddy with sweetness, greedy for more, I leap from bloom to bloom, heedless of the darkening sky, and the wind which whips the trees into clumsy dance. Raindrops fall, hard and heavy, brushing the colour from my wings like dust. Bruised and battered, I realise the wind is no longer my friend, and I am buffeted before it without mercy.

Until kind Óengus takes me in. He builds me a crystal bower, where I rest and recover. He feeds me pollen and sugar, and I need do nothing more in return but shimmy my wings now and then for his pleasure. It feels good to be adored again.

But a wild creature needs its freedom. I exchange my crystal prison for air and sunlight, and journey where life takes me. Then one day, I hear a sound I have long missed, and I am lured by my longing.

A man is playing a harp, its light liquid notes falling through the air more silver than birdsong. Men and women gather to listen; they talk and laugh softly, and I am struck with the sharp pain of sudden loneliness. I perch on the rim of a goblet, but there is so much beauty around them, I am unnoticed.

When she lifts the vessel to her lips, I tumble into the swirling red depths. I desperately beat my wings, but they are immersed, trapped in the fluid as if it was glue. Unknowing, she swallows more than wine. I flutter my wings, and she feels those faint stirrings, for she places a hand softly over her belly.

I am Etain. Once I was Sidhe, then I was dealan-dhe. Now, from the dark, warm recesses of woman, I will be born mortal.

***

Rachel entered next and I particularly love the last one:

1. Teacher of preschoolers; learner of preschoolers.
2. I read, I write, I create.

***

Geoff came next with three true stories – the backstory to the second is hilarious, maybe Geoff will tell you all about it…

1. Cancer. How long? Not long enough.
2. Third choice. Will you? Yes. Finally….
3. He’s deformed! No, he’s a girl.

***

The lovely Hugh decided to enter for the first time and submitted three amazing (and funny) entries, the last is my fave.

1. She left. Never came back. Never!
2.Come here. No! That’s it then.
3. Affair? Me to, with his husband.

***

Next the fantastically funny Lockie (who’s name I love too) and first time entrant, with a six word story that has an entire novel behind it:

“You’ll lose the leg.”
“Do it.”

***

Next we have two submissions on other social media platforms, first my friend Donna another newbie, who posted this touching entry on Facebook:

No note was found… Just tears.

***

Then Pat another newbie to writespiration posted on G+ with these six words that tells a thousand more words:

We were meant to be here….

***

Jane, with three stunning entries:

1. Night-driving drowsiness
explosive impact
two orphans.

2. Dead star
black waters
eternal night.

3. Bright horizon
a sail
your boat.

***

Last but by no means least, Sarah another newbie to Writespiration. With a hilarious entry. I can just picture the guilt written all over their face!

I’m holding it for a friend.

***

The post Writespiration #41 appeared first on Sacha Black.

I don’t think I am alone in obsessing over reading blogs about writing, but all it does it confuse me. I mean, how much attention do we really pay to understanding our own writing process?

Until recently, when I had an epiphany, I’d spent a long time thinking there was a right way… a right writing process I should be following. There isn’t. I decided to sit down and really give my process some thought, because if I can understand my own process, then I can shape it and tweak it to maximize my effectiveness. I hope this post helps you do the same.

Everyone’s process will of course be different, but if you are in any doubt about your own method, if you’re blocked or just feel something isn’t right, then I strongly recommend you do your own version of this to understand your process. Because I love visual things, I have depicted it in a pyramid:

 ***

Usually I prepare and organise till I’m blue in the face, lists run in my blood. But it wasn’t working for my writing, so I let go of doing most ‘preparation’ to write this novel. One thing I couldn’t let go of was an outline. I need it, for my sanity! For me, it doesn’t have to be massive, but because getting the timeline/action down is the most important thing in my first draft, I need a paragraph outlining each chapter. I never follow the outline to the letter, things get moved, cut completely and then changed again, but it’s a guide.

Step 1: Decide what you need before you start – an outline, a synopsis, masses of research or just an idea.

***

PLOT

This is where you figure out what is most important to you to get down on the page first. This will also be dependent on how you work out and develop your characters.

Step 2: Decide what’s most important to you in draft one.

Here are my questions to help you work out your own process for draft 1:

• What do you like doing first?
• How do you develop your characters? Do you know them before you start writing or do you see how they develop on the page?
• How well do you know your setting before you start?
• Do you need to do lots of research?

I tried to use character sheets and interview each one before I started, but it didn’t work for me and trying only made me tie myself in knots worrying I was a shit writer because I couldn’t answer the questions.

So I sacked the preparation off and let the characters develop on the page. For me draft one is all about timeline and action. I need to get the basic plot down on the page. There’s only a little bit of creativity and imagery woven in to the story at this stage. I can’t get everything perfect in the first draft, so I don’t even try. I don’t worry about the chapter, three chapters ago, that Ive decided needs a rewrite, I just keep going. But how do I combat this incessant need to edit?

Step 3: Create an editing map.

I create one place, with a designated section for each chapter. Dump decisions or notes about chapters or characters or whatever you like under the appropriate chapter section. That way you keep your thoughts and decisions ready and organised for when you want to edit.

The benefit of an editing map is it will allow you to pattern spot your thinking. If you find you constantly put notes about characters then you know that’s what needs to go in the next draft. If you comment about setting then work on that next and so on.

***

CHARACTERS

Have a break before starting draft two, the longer the text the longer the break should be, but its up to you to decide how long is right for you. I imagine I will put my manuscript down for a month or two – or as long as I physically can.

Here’s where I hack the manuscript or story to pieces, I focus on finalising the timeline. Moving chapters or scenes till they are right, but I get it right here. Once this draft is over I don’t want to have to move the timeline much more. Whilst I do this, I study the characters. Picking up on their salient traits, emphasising or minimising them, checking consistencies and making very rough notes about each one, so that I get consistency across the whole story – bit like an editing map but for the characters – let’s call it a character map.

Step 4: Check your editing map for patterns of your thinking before you start editing- whatever is most salient is what you should work on next.

Step 5: Create a character map – it can look like whatever you want, and be as big or small as you want but should have relevant or key bits of information about your character to ensure consistency when editing.

Step 6: Once the timeline is finalised plot a loose map of chapters / scenes so you can easily find bits you need when editing.    

The character map ensures I check their back story and history and start weaving in detail.

Finally I start thinking about the world and environment. I know a lot of detail about my stories world before I start writing, so I don’t need to do much work to create it, more weave the detail in, in draft 3.

***

WORLD-BUILDING

Have another break before starting draft 3.

This is world-building time. I know for some people this will be the first draft stuff. But not for me, world-building comes in as a finishing touch – madness given the genre I write (fantasy/dystopian), but my world building is really done before I outline. The world in my current novel is what came to me first, so even though I only start to weave the detail in now, I already know what needs doing. My other focus in this draft is to finalise characters, detail, backstory and ensuring all the foreshadowing is in the right place.

Step 7: Check your editing map again

Ask yourself:

• What’s left to perfect?
• Have you checked details?
• Is your world complete?
• Are your characters perfected?
• Do you need to foreshadow?
• Does your timeline work?

***

PERFECTING THE MANUSCRIPT

I’m rubbish at proof reading. But I have to at least attempt it before giving it to beta readers and editors. So I proof read, check everything, over and over till I feel like I have done as much as I can do. I check:

• Characters
• Timelines
• Consistencies of: characters, world, locations, storyline, descriptions etc
• Grammar/spelling/word order/sentence structure etc
• General errors
• Story arcs / character growth

***

BETA FEEDBACK

This is the bit where you crap your pants a little – your hand shakes as you tentatively give your manuscript over to be critiqued by beta readers.

Once you stop crying! You edit in your feedback and hey presto you’re ready to pay a developmental or copy editor or seek an agent or whatever you feel your next steps should be.

 ***

RESEARCH

Step8: Research along the way, don’t get stuck making all the decisions before you start

There’s one section I haven’t mentioned. Research, and that’s because I research constantly. From before I pick up the pen, right through to the end of draft 3. I don’t worry about having all the tiny details before I start, or I would never start, plus I change my mind too often to decide everything before I begin; so I research details along the way.

***

This post is not meant to be a guide to the only writing process– the complete opposite in fact. This post is just my personal method of writing, my process. It will only be right for me. But what I hope it does do, is help you get some insight into discovering your own process. 

What does your pyramid look like?

The post 8 Steps to Discover Your Perfect Writing Process appeared first on Sacha Black.

One of my favourite writing procrastinations is the Six Word Memoir website. Doing exactly what it says on the tin, asking you to write a memoir or story in six words. So I challenge you to do the same, right here, right now, and I will post it with next weeks Writespiration. While your at it, why not post on their website too?

Here’s mine:

He said “Will you…?”

“I’m Gay!”

***

To last weeks entrants and a LOT of sex – quite how we got from insects to sex I’m not sure, but I will remember that for future prompts!

Geoff starts us off with a banging (see what I did there!) tale of sex, wings, dancing and a little more sex!

Just One Day

I knew it would be tough, getting out of the chrysalis – you know it will be a struggle, but you’re ready for it. Just before the skin cracks you don’t want it to happen but the air is on your eyes, the light – sharp, caustic – is like a magnet and you pull like you’ve never pulled.
This is your time. This is why you’ve been kept boxed tight for so long. The new wings, freed of their wrapping unfurl alone and you sit on the reed, exhausted, happy, dizzy as you dry.
Vaguely you become aware of others, spiralling about you, a dusty cloud of other May Flies – a dance of daring and death.
Seeing them draws from you a new strength, you let go and…
I’m flying, spinning and twisting. And I have one thing on my mind. The only thing that matters. The only reason I’m here. The only thing that I will have time for. No eating, no sleeping, no rocket science or choosing which socks to buy my dad for Christmas. My life is the envy of every living thing. It’s the reason I have two penises. Today is my day and my day will be full of
SEX
SEX
SEX
SEX
SEX
SEX
And then I’ll die. The French for orgasm is La Petite Mort. They know something, those Frenchies…

***

Nicholas C Rossis joined us for the first time this week, and gave a vivid tale of mating courtship and a humorous reminder that not all sex ends well!

“How about sex and dinner?” she asked, her throaty voice sending tingles to play on the fine hairs on his neck. She rubbed one fine, slender foot on her lengthy leg, to stress her point.
Her audacity caught his breath. They hardly knew each other, having met only a few minutes earlier. And yet here she was, her naked flesh provoking him into a frenzy. There was no mistaking the hunger in her eyes; the need for his body; her desire for his flesh.

He swallowed and tried to look away, to avoid her burning stare. She snickered at his discomfort as he lowered his eyes to examine his trembling fingers. Speak! Say something! His mouth obeyed the mental command and opened, but words failed him. His gaze caressed her nude body to linger once more on trim legs that seemed to go on forever. He bit his lip, his heart skipping a beat. She had him now; he would stop at nothing to slither between her mounds, to experience the ecstasy promised by her inviting, crooked smile; consequences be damned.

His determination slipped fast. With the last remnants of his strength, he made a final, desperate attempt to negotiate. To save himself. “Why not dinner first?” he croaked, a thick bead of sweat trickling down his forehead.

Her raspy laugh made his knees tremble. He leaned against a tree to stop himself from shaking. A delightful, mortified shiver travelled through his body and onto the wrinkled bark at her next words.

“Don’t be silly,” she said with a smirk. “Who’s ever heard of a praying mantis eating before sex?” She inched closer, her faceted, emerald eyes gazing softly at his smooth skin. He closed his eyes as her mouth brushed against his ear. Her hot breath tickled him, made his heart race. A long tongue slithered out of her lipless mouth to lick his slender neck. “That would ruin my appetite.”

***

The post Writespiration #40 appeared first on Sacha Black.

I always write from the same perspective – human, and in the first person. In my novel, I have shape shifters. One of the pieces of feedback I had was to explore further what being in another form would feel like to all the senses. Hence this weeks writespiration was born. I thought I would keep it narrow, hence the restriction to insects, but hey, there are millions of species…

Here’s mine:

“Those humans are idiots, Mike, I’m telling you,” I said, enjoying the stretch of ruffling my wings through the cold air.

“What makes you say that?”

Mike hopped off the wall and straight onto the plate below us. His sucker pummelling the juicy morsel on the plate. My own sucker tingled at the thought. My legs twinged and I flew after him.

“Because they want to ‘be’ us. They’re giants, have it all, long lives, plenty of food, yet they want to be us.”

“Be us? Are you sure your not high on sugar, Joe? This is a pretty intense crumb were on. Maybe you should get some juice,” he said, nodding to the glass a short flight away.

“Mike, seriously, haven’t you ever heard em’ say, ‘I’d love to be a fly on the wall?'”

He jutted his sucker out a few times, and sat back on his back legs.

“You’re right, they are idiots.”

***

Now to last weeks writespiration, we had some seriously scary entrants last week. I have to say, despite some minor protest about the difficult prompt, I think we have a bunch of secret horror writers in our midst, you guys are beyond terrifying!

 First – Ali who left me terrified of all my ex’s!:

“I did it for you,” he whispers, his eyes swirling pools of desolation in the shadows.

I sigh. “No you didn’t. You were thinking only of yourself, like you always do.”

Of course, his mouth is full of protestation. “But I love you.”

I close my eyes. I don’t want to see, be what we have become. “I just wanted to go to where all puppets go when their strings are finally cut.”

He shudders. “But he would have just chopped you up, made firewood of you, or recycled yo into someone else.”

“Better that than this.” I stare sadly into the mirror.

“But now we can always be together,” he whimpers, and I shake my head in despair.

Except that I can’t. It’s hard to move your head at all when it has been screwed onto the chest of your psycho puppet ex-lover.

***

Next up Jane – NEVER get in a fight with Jane…

“Isn’t there anything else to watch?” she said and snatched up the remote. “What is it with people and their obsession about clowns being creepy?”
He shrugged. “It’s because they smile all the time when you know they don’t really mean it.”
“Like your mother, you mean?”
“Mine? You think I don’t know what yours says about me, the two-faced cow?”
They glared at one another, she holding the remote as if it was a detonator, he with a plate he’d been drying, balancing in his hands.
“If that’s a taste of the conversation I can expect this evening, I’d rather find a stray cat to talk to. Don’t wait up.”
“Ah, go to hell!” he hurled after her along with the plate.
She grabbed her jacket from the stand in the hallway and flung open the front door.
“Oh.”
A boy was standing on the step, a mask in one hand, a hatchet in the other. He had taken off his smiling face and turned the real one to her, the one with empty eyes. They were beyond sadness, beyond caring.
“He’s through there,” she said and held the door open.
The boy nodded and walked in. She slammed the door closed behind him. A cat watched her from the top of the wall, but slunk away into the shadows when she caught its eye.

***

Now to Geoff, who… I don’t even know where to go with this – it’s proper scary, will definitely leave you wanting more, and probably a bit less sane!

The Box by Geoff Le Pard

Gran said ‘don’t touch’ in that way she had. Like with kitchen knives and the matches. Like she wanted it to sound not so important when it really was. Jordi wasn’t tempted. ‘She said NO.’ I’d not seen him so upset and I admit there was something about it, not exactly a smell, more a sense of a smell. Like when you think you’ve smelt something bad and get down to sniff and it’s not there.
We’d only gone in the attic because the builder left the ladder down. Usually we couldn’t get there. It was full of Grandpa’s stuff from his days running the circus. Mum told us about it once, after this programme on the telly; she was sort of dreamy but after she told us she said not to mention it to Gran. ‘It’ll just upset her, you know?’ Everything about Grandpa upset her.
Jordi wanted to wear his ringmaster’s hat but I went straight to that box, even though it was tucked in the corner. It looked really old. I suppose Jordi didn’t see it; he’d only just got his glasses, see and he wasn’t used to them.
We thought, after what Mum had said, about not mentioning the circus, Gran would be cross but she wasn’t. Dreamy really. Like Mum. She told us about the travelling while she made tea – macaroni cheese – and the animals. She said about the fun. But as we had our ice cream for afters, she seemed to lose track. That’s when Jordi asked ‘Why did he stop?’
Gran picked up the one picture of him and traced his face. ‘It was the fire. People said… people blamed him. He lost so much. His beloved…’ Her tears splashed the glass in the frame and she wiped it away. ‘Losing his circus killed him, see. He couldn’t see a future.’
Jordi stopped asking questions but I couldn’t. I wanted more but she just shook her head. So when Jordi broke a tooth – I pushed him over but he knew better than to say – and Gran had to take him to the dentist, I was alone. I went into the attic to find that box. It was still there.
When I tried to pick it up it was too heavy. On the side there was a label. My name. For a moment I was stunned until I remembered I’d been named after Grandpa’s youngest son who’d died before I was born. This must have been his toy box.
Eagerly I opened it; it wasn’t locked. As the lid came off I sat back horrified. A burnt boy with no eyes stared blindly at me before jumping out. We fought but he was too strong. He ripped and ripped at my face, prising first one and then the other of my eyes from the sockets. Even though I was screaming and could feel the blood on my cheeks, I could hear his cackling, his scurrying steps on the ladder, the door to the attic being closed. And then I tried to stand and felt the box lid pressing the air on my face. I was shut in and at that moment I knew, just knew that no one would think to come and look for me in that box.

***

The post Writespiration #39 appeared first on Sacha Black.

Do you ever need just five more minutes in your day? Maybe you want to edit another post, or write a short, or a piece of flash for a competition. But you just don’t seem to have enough time. I’m writing this post, because I always need more time. I’m pretty good at being efficient. But I could be better. I know I could squeeze another half hour out my day. But how when I’m a busy worker bee, mother, wife, friend, chef, cleaner…. Etc etc?!

Cheat – thats how!

Find work arounds, life hacks, and quick fixes. For the sake of simplicity I am going to break this down into three categories. Work – because lets face it, most of our day is spent there, Home because that’s where the rest of it is spent and Technology, because that’s where your quick wins are. Snatching 2 minutes here, 4 minutes there, they all add up. I guarantee if you start thinking differently and use your time wisely, you can start churning out the words.

Work

There are lots of things you could be doing at work to squeeze a few extra minutes into your day. You need to stay switched on, mind. None of this taking a leisurely half hour to re read what you wrote last time (I do this). You need to be on top form for this to work. For the sake of ease I am using a typical office work environment, hopefully you can translate to your work environment.

1. How do you get to work? Drive? Walk? Bus? Cycle?

Walkings obvious, you can write notes, stories or pieces of flash on an iPad or phone. But what of the other methods – what happens if you drive? Ever thought of a Dictaphone? Can’t afford it? Ok, what about dragon dictation it’s free app, and as you talk it converts your speech to text.

2. Cars parked.You pick your bag up and walk into the office. But what do you do on your walk to your desk? Scratch your nose? Pick a wedgey out? Bimble around? Chat to co-workers? Or do the worst… check facebook, twitter or a number of other social media sites?

STOP.

Get your phone out yes, but have a notes app, a writing app or find a pen and piece of paper and write. Write notes, work out a character problem, write a piece of flash. Can’t write without reading what you wrote before? Fine, start a new chapter, write a character bio, do something different, damn, you could just think about your novel if you really wanted. But do something rather than nothing. Because nothing, doesn’t get your novel written.

3. What about when your laptop is loading? My work computer takes at least five mintues to load. How do you use those five minutes?

4. What about when you walk between meetings? Same principle applies. Focus, write. Walking to the toilet what do you do? What about sitting on the toilet… other than the obvious! Some people spend an age on the loo, why not use that time productively?

 5. Ever stand in the lunch queue? What do you do on your lunch break? Have a social? Catch up with friends? I’ve started taking my laptop, leaving my desk, finding a cubby hole, setting a timer and furiously writing for 25 minutes. If I don’t, I end up eating at my desk and working through lunch. Well, we all need a lunch break, it is allowed you know! I get between 300 and 750 words done in that time too. That’s a lot of words I might not have written if I didn’t take my lunch.

6. Ever sit and wait for people to turn up for a meeting? write notes, take a spare notebook, write a story. What about when you are in a meeting? I mean, ok, you need to pay attention to the work, but do you ever pay attention to the people? To the body language? What about a heated exchange at work? Use it. Steal ideas for characters or scenes from your coworkers.

Home

There are simply hundreds of ways to get more time at home.

7. Cook?

I’m, the chef in our house. But I find myself mindlessly stirring the cooking pot like a zombie. Why not put a note pad next to the oven, and use it. Yes you need to cook, but there’s no harm in writing the odd note here and there.

8. What about when you do the housework?

Are you mindful when you do it? What do you think about? Why not think about your novel, construct sentences and plot lines. Blue tac a piece of paper to the door of every room in your house. When you come out of the room having finished cleaning, challenge yourself to write 5 bullet points or a subplot, 3 dialogue sentences or maybe 3 straight sentences from your current story.

I talked about the loo earlier, why not remove the magazines and leave a note pad instead?

9. Own a dog? What do you do when you walk the dog?

If you have a phone why not write, spend time considering your next plot twist. Dogs basically walk themselves anyway right? :p

10. Wifi

Now here’s the biggest time waster for me. The bloody joyous procrastination tool that is, the internet. More specifically, social media. It’s fitting then, that I take my own advice and cut down. I have 30ish thousand words left of my first draft of my novel. I’ve decided to drop down to just 3 posts a week until the bloody thing is finished (well a first draft anyway). But more than that, I am taking another drastic move. I do solemnly swear to switch the wireless off on my laptop when I sit down to write, and only turn it back on for research purposes. I shudder to think the amount of time I have wasted on various social media sites when I could have been writing. Or worst when I went to research something and a notification came up which I thought ‘I’ll just check it quickly.’ The thing is, I’ve tried to be good before. But the only sure fire method of ensuring I don’t procrastinate is by switching it off.

Technology

I don’t need to list it all here, there are dozens of tech blogs that can do it better than me. I mentioned Dragon Dictation earlier. But there are lots of apps and programmes that sync up between phones and iPads and laptops, like Evernote.

Here’s The Top Ten Apps For Writers from the Huffington Post.

Here’s the 20+ top iPad apps for writers from the Daily Genius.

And because I’m not biased to iPhones (I am) here’s a list of the top android apps for writers.

And last but not least The Best Apps for Any Kind of Writing from Lifehacker.

Did I leave anything out? What are your most efficient tips and tricks for more writing?

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