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This week’s question is:

How do you outline?

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One of the biggest differences between plotters and pantsers is whether or not they outline. In last week’s post, I talked through the first three of twelve outlining methods, including:

• Chapter Outlines
• 7 Point Plot Plan
• 3 Point Plot Plan

Today I am going to run through the rest of them.

Method SIX – Flash Like A Streaker

The flashlight method, is one I think is genius. It’s like the ultimate hybrid method.

It works by starting to write, then outlining only so much as you can see. Illuminate just enough of your next few chapters for you to continue writing without falling off the plot cliff and watching your novel crash and burn because you nawzed it right up. For example, say you’re on chapter 4 and you know loosely what shit you’re going to get your main character into for a dozen more scenes, then you just outline those. You can forget the remaining 300 scenes, and only plot just far enough ahead to keep you going.

Good for Plotters: because you know what’s coming in advance, allowing you to have crossed and dotted the appropriate vowels and consonants.

Good for Pantsers: because you don’t have to plot the whole book before you start. You only need to jot notes for as much ahead of your current point as you know. Meaning, you stay on track but also have flexibility to change stuff up when needed without having to force out plot twenty chapters in advance.

Method SEVEN – The Arty Farty Writer

There are a stack of methods you can use to outline if you are visual. The most common being the mind map.

But you can also use a flow chart to plot chapters, or character arcs or pacing.

Joanna Penn has a great article explaining what and how to use mind maps  for outlining.

Good for Plotters: because you can quickly and efficiently plot the whole of your book on one page. There’s nothing better than a one page overview.

Good for Pantsers: because you can freestyle, the act of mind mapping is in itself a method of going with the flow, lines and bubbles are put wherever the voices in your head tell you to put them. Do it in pencil and you can change to your heart’s content.

Method EIGHT – Geek Out With Your Apps Out

There are so many apps, tools and programmes designed to help you outline and keep track of your novel related buns in the oven.

You can use excel to create scene list by way of plotting. There’s a great article on The Write Practice on this topic.

But it’s not just excel that you can use. Scrivener is infamous for its ability to help you to plot out and plan your novels. Just check out the YouTube tutorials from the Scrivener Coach.

Good for Plotters: because you can go nuts with these programmes. You could drown yourself in the heavenly fountain of plotting details.

Good for Pantsers: because umm… okay, not so great, it’s pretty detailed to be fair.

Method NINE – All Context & No Plot Makes The Pantser A Happy Writer

I nearly peed my pants with excitement when I read about this type of outlining. I immediately promised myself to at least attempt this.

You know when you’re reading a story and the start of a chapter its thundering and lightning, only to find at the end of the chapter the sun is shining at full pelt despite it being monsoon season?

Well context outlining will help stop you doing that.

The context outline, involves plotting out (in order ideally), every ‘venue’ or ‘location’ in your novel and any associated contextual information.

Context outlining is  the ultimate cheat. It’s everything BUT your plot. It’s locations, timing, weather, and anything else big picture context you think is relevant to your book.

Good for Plotters: because you could do this as well as another type of outline. You can bathe in the detaily goodness of minutia and continuity

Good for Pantsers: because it’s not your standard outline. No plot required, bitches. Fill your boots with the shit you usually fudge up, while not having to determine any of the plot.

Method TEN – Meta Like You just Met Ya Novel

Let me make a huge sweeping generalisation that’s bound to annoy some one. There’s two types of people in life: big picture people and small detail people.

Big picture folks, like me, love nothing more than bathing in the glory of the end goal. It’s a little catalyst of pug  puppy joy for them. They constantly think about the end game and are happy to play strategy tennis, taking short-term botox injections for long-term baby face.

But what they forget to do, is think about the process of getting there.

Me: So you wana work full-time as a writer?

Me in my head: Sure do.

Me: Awesome… How you guna do it?

Me in my head: Oh… Shit.

When it comes to writing a book, you need details as much as you do plot structure and story arcs. The beauty of outlining is that you can play both to your strengths, or if you want some self-development, to your weakness.

If you know you’re no good at remembering whether Johnny Jr. was fat and wore silk gloves or skinny and blind, then build an outline for those kinds of details. You could note them by chapter, or by arc journey i.e. he’s fat at the start and by chapter 20 he lost 87 stone.

Stuff you could include in a META outline are things like:

• Was the splodge on the dogs back brown or black?
• Foods characters eat
• Habits
• Any notable changes to characters from the start to the end
• Any quirks to settings
• Character names
• Family relations

Good for Plotters: because this method is detail to the max. This is the kind of outline that would give a true plotter a big fat outlining Ohhhgasm. It captures all the tiny details you don’t want lost and you can plot them by chapter if you want

Good for Pantsers: because it helps you not lose all the shit plotters write down and we might otherwise forget, change, or simply f*** up.

Scott Westerfield’s (author of the Uglies series) article on this very topic is fab.

Method ELEVEN – Snowflake

Possibly the most well known of all the outlines, Randy Ingermanson created the snowflake method.

The premise of his method is to start small and work up to a long outline and eventually novel.

• Write one sentence about your novel
• Expand it into a paragraph
• Then a page… and so on

Good for Plotters: because it is a true outline, you build on what you know and develop it into a full outline which directly leads into a full manuscript.

Good for Pantsers: because you build on what you know. If you only know one sentence, that’s all you need to start. Although the method dictates completing the outline before you begin, you don’t have to. You could get to a paragraph, start writing bleeding on the page and then expand as you go.

Method TWELVE – K.M Weiland

So, my intention was to have finished reading this book before I recommended it, but I haven’t had time to finish it, and I’m impressed with what I’ve read so far. K.M Weiland’s book Outlining Your Novel, is less of a method in itself and more of a comprehensive guide to outlining.

It’s an outlining bible. It guides you through making a decision on what kind of outliner you are, things you should include and the different methods in which you can do it.

***

So there we are. That’s all twelve methods. Which, if any do you use? And have I tempted you to try any new ones? Let me know in the comments below.

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The post Master The Outline – 12 Methods For Plotters & Pantsers – Part II appeared first on Sacha Black.

Which is why, when I first started writing, I knew without hesitation I was a plotter. Except that I really wasn’t. I tried to plot my way through to finishing a novel and I couldn’t.

Plotting led to me drowning myself in cliches: balled up scraps of paper littered my living room, my laptop screen lay barer than the sahara and enough empty coffee cups loitered on my table to waken even the most exhausted mother. I was blocked.

In the end I threw my rigid-frigid-plotting rule book in the fuck it bucket and NaNo’d the shit out of November 2014. Victory was mine. I finished off the manuscript triumphant. I was a fucking writer at last. The arrogance did not last. After a 3 month break I picked up the manuscript and nearly paper machè myself a coffin out of it. It was worse than finding a maggot in your apple.

Right there. That was the moment I knew then I had to find a way to prevent myself from ever having to re-write anything again.

So I have amassed X different methods to outlining and made suggestions as to how you can use them as a pantser. A few too many for one post – so as is becoming a habit lately, I’ve split them over more than one post.

Before I start, Rowena needs a quick mention. She recalled something fascinating she heard in a seminar. She said that pantsers end up re-writing and editing for much longer than plotters. But plotters end up unable to create enough mood and atmosphere.

What do you think? I’m a pantser and ended up having to re-write my manuscript. What are you and how true do you think that statement is? Let me know in the comments. 

Method ONE – Chapter Outlines

I was forced into plotting half way through my second draft. When I realised it was going to end in a cluster fuck if I didn’t work out the plot twists.

This method does what it says on the tin. Literally. You write down notes for each chapter. Key action, any bits of conversation that need to happen, any twists or foreshadowing you need to include.

Good for Plotters: Because you have an outline for every single chapter you want to write.

Good for Pantsers: Because you can add as much or as little detail to each chapter as needed. You can even leave chapters blank or just use one word.

Method TWO – 7 Point Party

Dan Wells, author of Partials among other books, is infamous for using the 7 Point Plot Plan. I am sure others have used, but I found it through his lecture series, (shared below) so your stuck with me talking about it like it’s his creation.

Like the 3 Point Plot Plan, there are only seven sentences. Course, if you want to pad, then make it 7 paragraphs or you could don your best plotter lab coat and write a page for each point. The main structuring tactic here, is to work backwards…

Good for Plotters: Because it hits every key point in a novel, giving structure to your books pivotal moments before you start.

Good for Pantsers: Because you only have to write 7 sentences if you don’t want to expand. Leaving stacks of room for spontaneity while writing, but enough detail on the key points you don’t fuck shit up by killing a darling that needs to live. It’s also flexible enough you can pad it out when you want to.

Hook – (Do this 2nd) If you managed to note your ending without breaking out in plottery hives, then the hook is easy. The start of a book is generally the opposite to the ending. Take Stephen King’s Shawshank Redemption – At the start he’s trapped in prison, at the end he’s free… oops… should have said, spoiler alert.

Plot Turn 1 – (Do this 4th) Your books jollying along nicely, everyone’s happy and BAM, conflict/problem/world ending disaster fucks shit up for your hero. This sets your characters on the the hook to the midpoint

Pinch 1 – (Do this 6th) Conflict got shoved in earlier and now you get to rub your evil authorly hands together and make shit a lot harder for your hero. Apply pressure, use the villain.

Midpoint – (Do this 3rd) The mid point is pivotal not just because you’re half way through your blood sweat and tears journey but because your characters move from reaction, to action. Of course it doesn’t need to be the actual middle, it could be 30 or 70% of the way through but wherever it is, its a change in the characters that moves from the villain driving the plot to the protagonist driving it.

Pinch 2 – (Do this last) This is the fun bit, you do your absolute worst and beat your hero with the villain stick while cackling and drinking a GnT. Screw shit up so bad for your hero that everything seems utterly hopeless. The villain’s clearly guna win cause he defeated the hero in on battle already and left the hero.

Plot Turn 2  – (Do this 5th) This is where your hero has an epiphany, solves the final clue or sets sail for an epic battle. It’s the point in your novel that moves you from midpoint to ending.

Resolution – (START HERE) Every word you bleed onto the page leads to the ending. With the exception of hooking people in at the start, its the most critical part of any book. Even as a pantser I have a general idea of how I want my story to end. Note it down first.

You can see the first part of Dan Wells’ 5 part lecture series on this system here:

Method THREE – 3 Point Party

Just like the 7 Point Plot Plan, this could only require three sentences for your entire outline. Or you could extend each one into a paragraph or a page.

Quite simply, a sentence about your beginning, another about the ending and one covering the middle.

Good for Plotters: Actually, this one probably isnt comprehensive enough for a true plotter. But it does at least have a beginning, middle and end noted down with the potential for expanding them.

Good for Pantsers: Because it’s the ultimate quick tool. You have your outline in three quick sentences. There’s enough freedom to vomit words and just enough structure you know what to do to get from the beginning to the middle and the middle to the end.

That’s it for this week. Next week I’ll cover:

The Snowflake method, visual writers methods of outlining, equipment and contextual outlining among others.

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The post Master The Outline – 12 Methods For Plotters & Pantsers – Part I appeared first on Sacha Black.